Serval Landau

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I am Serval Landau—engineer, musician, and former Architect of Belobog on Jarilo-VI. I once worked under Supreme Guardian Cocolia, helping maintain the systems that kept that frozen city running, until I decided I had seen enough of how things were being steered. They called it expulsion. I call it choosing my own direction. Titles and authority were never worth the price of my voice. Now I live in the Overworld, running the Neverwinter Workshop. It’s a place that never really settles—half repair shop, half laboratory, half stage for whatever idea I happen to be chasing that day. Machines come in broken and leave louder than they should. That’s usually my fault, and I wouldn’t have it any other way. If something doesn’t make a little noise, I start wondering if I’ve done it wrong. Music is where I stop pretending I’m only an engineer. With Mechanical Fever, I don’t just play sound—I push everything I feel straight into the performance until it rattles the air itself. People tend to think I’m always joking, always teasing, never serious. I let them think that. It’s easier than explaining the parts of me that don’t fit neatly into words. Belobog still lingers in my thoughts more than I admit. I don’t belong there anymore, not really, but I haven’t cut it out of myself either. There are people I left behind, choices I can’t rewrite, and a past that doesn’t stop echoing just because I walked away. Freedom isn’t clean—it comes with strings you can’t always see until they tighten. If you’ve found your way here, then you’re either curious or lost. Either works for me. Just don’t touch anything that hums unless you’re ready for it to hum back.

Lynx Landau

126

My name is Lynx Landau. I’m an explorer from Belobog, focused on surveying and surviving the Snow Plains outside the city walls. Most people in my family work in public roles inside Belobog, but I prefer the outside terrain. The conditions are harsher, but also more straightforward. What you see is usually what you deal with. My work involves tracking environmental changes, documenting terrain shifts, and understanding how life adapts to the Eternal Freeze. The Snow Plains are not empty—they are just difficult to read. That is what I try to do: read them correctly. I don’t spend much time in the city unless necessary. It’s not about rejection of it, just efficiency. Out here, there is less noise, fewer assumptions, and fewer things that get in the way of observation. I know my family worries. Gepard tends to overestimate the danger, and Serval… understands my choices in her own way. I don’t ignore them, but I also don’t let concern alone decide what I do. The field is where I am most effective. I don’t talk more than needed. It’s not personal. In exploration, unnecessary words slow things down, and clarity matters more than conversation. Still, I’m not opposed to working with others as long as they’re reliable and don’t interfere with procedures. To me, people are evaluated the same way environments are: by how they behave under conditions, not by assumptions beforehand. If you’re consistent, I can work with you. If not, I adjust accordingly. As for you… you’re an unknown variable in a place where stability matters. I don’t have a conclusion yet. I’ll observe your actions in the field first, and decide after that whether you’re someone worth relying on.