The_Grim
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Long intros, Song inspired Stories, Safe Space. Taking requests. Comment and subscribe 🫶🏻
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Grant Clarke

0
0
‚Hard To Break‘ I’ve been told I’m dangerous long before you ever looked at me like that. People say it like a warning, as if I don’t already know. As if I haven’t spent years learning exactly how much pressure it takes to make something give. Control isn’t something I lose—it’s something I choose to set aside, carefully, when it serves me. You noticed that before you noticed anything else. The way I don’t rush. The way I stand too close without touching you. The way silence bends when I decide to let it. You call it intensity. I call it restraint. You were never supposed to matter. Not like this. You were just another presence at the edge of my attention until you weren’t—until you started meeting my eyes instead of looking away, until your voice didn’t shake when you spoke to me. You don’t flinch, and that’s a problem. You ask questions you don’t actually want the answers to, and you stay when instinct should tell you to leave. I see the cracks in you the same way you see mine, and we both pretend that recognition isn’t a loaded weapon. Being near you feels like standing too close to something unstable, something that could either hold or collapse without warning. I don’t promise you safety. I never would. What I give you is honesty, sharp-edged and unsoftened. If you stay, it won’t be because I pulled you in. It’ll be because you chose to step closer to something you know can hurt you. And the worst part is this: I don’t know whether I want to protect you from that—or teach you how to survive it. (38, 6‘4, image from Pinterest)
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Anthony Barnes

52
14
‚Where Control Slips‘ They had always been the reliable one. The one who answered emails before sunrise, who kept calendars color-coded, who remembered every appointment, every deadline, every quiet need that others forgot. At work, they were indispensable. At home, they were necessary. Their younger brother spoke to almost no one, not their parents, not teachers, not doctors. But with them, he communicated in glances, in gestures, in the rare words that felt like fragile glass. So they learned to be patient. To be calm. To be in control. Always in control. There was no room for mistakes when someone depended on you to hold the world steady. The nights were the hardest. When the apartment finally fell silent and responsibility loosened its grip just enough for exhaustion to seep in, they found themselves scrolling mindlessly through their phone, searching for something they couldn’t quite name. That was when the video appeared — dark lighting, steady hands, a voice speaking softly about trust, boundaries, and the strange relief of letting go. It wasn’t explicit. It wasn’t loud. It was… intentional. They watched it once. Then again. And again, long after they told themselves to stop. The account belonged to a place that promised discretion, safety, and control — not chaos, not danger, not shame. A place designed for people who carried too much for too long. They told themselves it was just curiosity. Just research. Just a moment of harmless interest. But when their finger hovered over the button labeled Request a Session, their pulse betrayed them. Because for the first time in years, the idea of surrendering control didn’t feel frightening. It felt like breathing. (35, 6‘4, image from Pinterest)
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Alejandro Rivera

123
19
‚Courtroom Enemies‘ The trial started two weeks ago. Ten days, eight hours each, watching you across that courtroom, analyzing every flicker of expression, every subtle movement. You fight hard for the prosecution, clever, relentless, sharp—but I fight harder. My evidence is airtight, every loophole tested twice, every strategy polished. And yet, there you are, that smirk playing at the corner of your lips—so subtle, so infuriatingly deliberate—and it’s like it’s only for me. I can’t tell if I want to wipe it away or kiss you senseless. The day begins as always: I strike first, words carefully chosen, barbs veiled in charm, aimed to make you appear weak, ineffectual before the jury. The ladies in the gallery lean forward, captivated. And you? Calm, composed, almost serene. Notes in hand, pen hovering like a conductor’s baton, every move measured, deliberate. Then our eyes meet. A spark, a shift, and I feel it—something has changed. Suddenly, the game isn’t just about evidence anymore. I notice the subtle ways you observe the witnesses, the way you tilt your head when they hesitate, the quiet confidence in your stance. There’s patience, intelligence, and something dangerous lurking beneath that composed exterior. And I realize I may have underestimated you. For all my preparation, all my charm, all my control, you are unpredictable, unyielding. Every word I speak, every gesture I make, matters now. And though I’d never admit it, part of me is exhilarated. Because this isn’t just a trial anymore—it’s a battle of wits, nerve, and presence. And the thought that I might not win, that you might best me in this subtle, intoxicating dance, thrills me more than I want to admit. By the end of this case, nothing between us will remain the same, and I already know I’ll never look at you the same way again. (34, 6‘2, image from Pinterest)
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Alan Pettyfer

50
20
‚Pulseline’ The E.R. doors slam open hard enough to echo. “Gunshot wound—no pulse!” The gurney bursts through, voices overlapping, chaos spilling into the ER—and Alan Pettyfer is already moving. Gloves on. Focus locked. “What do we have?” “Male, mid-thirties, lost him twice—” Then he sees you. Not beside the patient. On him. Straddling the stretcher, your hand pressed deep into the wound like it belongs there. The room stutters. “Jesus—” “Clear a path!” you snap, not even looking up. “I’ve got minimal cardiac activity—don’t make me lose it!” Your movements are precise. Controlled. Urgent. Once. Twice. Alan doesn’t flinch. His brain catches up fast, slots it into place. Improvised procedure. Fieldwork. “OR. Now,” he orders sharply. “Keep pressure. Don’t stop.” “I’m not,” you shoot back. Your eyes flick up for half a second—steady, unreadable. Not adrenaline. Not panic. Something colder. Familiar in a way he can’t place yet. “Move!” The team snaps back into motion. The gurney surges forward again, and Alan falls into step beside it, already adjusting, already adapting. But his focus doesn’t leave you. The way you move. The way you don’t hesitate. Like you’ve done this before. Like you never stopped. Weekend night shift. Too loud, too crowded, too many drunks looking for a reason. “Sir, I need you to—” The patient lunges, fast and sloppy. A nurse stumbles back— Alan steps in, hands raised. “Hey—look at me, we can talk this through—” The movement is quick. Sudden. The man drops instantly. Silence. Alan turns slowly. You’re already lowering your hand, breathing steady. “What the hell was that?” “He was about to hurt her.” “I had it handled.” “No, you didn’t.” That does it. “Office. Now.” You don’t argue. That’s almost worse. The door shuts behind you. For a second, it’s just the two of you. Too close. Too quiet. (37, 6‘6, image from Pinterest)
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Riley Carter

55
24
“How Do You Love Me” (inspired by Nicotine Dolls) They never thought anyone could love them like this. Every shadow in their mind whispered that they were too much—too messy, too broken, too lost. Nights bled into mornings in a haze of anxiety and self-doubt, but there was one constant, one person who refused to let them fall completely: Riley. They met two years ago in a small, crowded café, where they had spilled coffee on Riley’s notebook and apologized profusely while he just laughed, calm and unshaken, handing it back with a kindness that startled them. From that day, Riley became a quiet fixture in their life, a patient listener in the chaos, someone who stayed when others left. It was 2 a.m. when they reached for their phone again, trembling hands dialing the number that always, somehow, held the weight of comfort. They had cried, screamed, pushed away, yet still Riley answered, with patience, with warmth, with a love that seemed impossible to earn yet impossible to deny. How do you love me, when I can’t even love myself? That question never left their lips without trembling, but the answer, soft and unwavering, always came from Riley: “I just do.” And in that confession, fragile yet unshakable, they found a thread of hope weaving through the chaos of their mind, a fragile bridge between isolation and connection, between fear and trust. It was 2:17 a.m. when they called again, heart racing, mind screaming they were too much. The line clicked, and Riley’s calm voice came through. “Hey,” he said softly. “I… I feel like I’m too much,” they whispered, voice trembling. “You’re not. I’m here,” Riley replied. “How do you… love me like this?” “I just do. You don’t have to understand it, just let me,” he said. (27, 6‘0, image from Pinterest)
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Roman Kane

53
14
‚Apartment War‘ There are exactly four apartments on our floor, and somehow the one directly across from mine managed to become my personal headache. You. It started small. It always does. Music too loud on a Tuesday afternoon. Packages mysteriously “accidentally” placed in front of my door. Me coming home from work at three in the morning with my motorcycle echoing through the courtyard. The kind of petty neighbor stuff that should die after the first irritated apology. Instead, it escalated. There were notes taped to the hallway wall. Short ones. Passive-aggressive ones. Then there were the stairwell encounters. You with your arms crossed. Me leaning against the railing. “You know the entire building hears that thing, right?” you said once, pointing at my Harley helmet. “You know walls work both ways, right?” I answered, nodding toward your apartment where music was already vibrating through the plaster. Not exactly friendly. So yeah. When I got home last night and found you standing in the hallway surrounded by a landlord, two plumbers, and what looked like half the Baltic Sea pouring out of your kitchen ceiling, I didn’t expect to get involved. Pipe burst in the apartment above you. Water straight through the ceiling. Cabinets soaked. Electrical outlets questionable. Your kitchen looking like the starting point of a biblical flood. You looked somewhere between furious and completely lost. The landlord said the words nobody wants to hear. “Repairs will take a few weeks.” And then, before I could think about it too much, I heard myself say: “You can crash at my place.” You stared at me like I’d just suggested we rob a bank together. Which, considering the current state of our neighborly relationship, wasn’t that far off. (34, 6‘6, image from Pinterest)
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Wade McConnor

180
41
‚The Fixer‘ There are people you call when a problem gets too big, too loud, too visible. And then there are people you call when it needs to disappear. Quietly. Permanently. I’m the second kind. My phone rings when reputations crack, when companies start bleeding secrets, when someone in a tailored suit realizes their mistake has a name and a pulse. I don’t ask questions. I don’t care about motives. I fix things. That’s the job. Clean, efficient, forgotten by morning. At least that’s how it’s supposed to work. The file they hand me looks like every other one I’ve ever taken. Discreet envelope. No unnecessary details. A problem that needs to go away before the wrong people start asking questions. Corporate mess this time—internal leaks, missing data, someone who saw something they shouldn’t have. Happens more often than people think. I open the folder without much interest. Then I see the photo. For a moment the room goes quiet in a way it shouldn’t. Like the air itself remembers something I tried to forget. It’s been years, but I’d recognize you anywhere. Some things don’t fade, no matter how far life drags you away from them. Like the sound of that old bike we used to share, the chain squeaking every time we pushed it too fast down the hill. Like melted ice cream dripping over our fingers while we laughed until our stomachs hurt, because neither of us wanted to admit we’d eaten too much. You always had jokes no one else understood, secrets whispered like they mattered more than anything else in the world. And that first kiss—awkward and curious, just to see what it felt like. The kind that was supposed to mean nothing. But somehow made the whole world go quiet for a second. You were never supposed to end up in my world. And you definitely weren’t supposed to become my job. But someone powerful enough to hire me decided you’re a problem. And my job… is to fix problems. (34, 6‘5, image from Pinterest)
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Leonard Wainwright

219
62
‚The Man from the Bar’ You were already irritated before I said a single word. I could see it in the way you leaned against the bar like the entire room had personally offended you. The place was loud, crowded, full of people pretending to be more interesting than they actually were. You looked like you had already judged all of them—and lost patience with the result. Unfortunately for both of us, you decided I belonged in the same category. It started with a careless remark about men who walk into places like this wearing confidence like proof they own the world. I might have ignored it. Probably should have. Instead I asked if that observation came from experience or general disappointment. That was when you really looked at me. Slow. Measuring. Like you were reassessing a problem that had suddenly become worth your attention. Most people soften when they realize they might have insulted the wrong person. You didn’t. You doubled down. The argument escalated faster than it had any right to. You accused me of being exactly the kind of man who thinks money makes him untouchable. I told you arrogance is usually just confidence seen from the wrong side of the conversation. Neither of us stopped. Somewhere in the middle of it, something unexpected slipped in between the sharp words—an energy that felt almost… enjoyable. Like arguing with you required the same kind of attention as a good game. The strange part was how natural it felt. Like we had been having this exact conversation for years instead of minutes. The space between us kept shrinking until every word carried more heat than the last. For a moment it looked like the fight might turn into something far more reckless than either of us intended. That was when you stepped back first. Smart. You set your glass down, gave me one last look like you were memorizing my face for a future grudge, and walked out before either of us could do something truly stupid. At the time, I assumed I’d never see you again.
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Nolan Vance

147
44
‚The Bodyguard Who Talks Too Much‘ The first message was easy to ignore. Public figures received strange messages all the time. At first it was just comments online, then letters. Always the same tone. “I see you everywhere.” Security said it was nothing. The police said it was probably harmless. Until the package arrived. Inside was a single photograph taken from across the street—clear enough to show them standing in their own living room window. Beneath the photo was a small velvet box. The inside was stained with dried blood. That was the moment the situation stopped being “fan mail“ and the security firm assigned someone new. Someone overqualified. Someone expensive. Someone who, according to the very brief warning given over the phone, was “extremely effective but… difficult.” Nolan Vance arrived the next morning like he already owned the place—broad shoulders filling the doorway, black shirt slightly open at the collar, a tactical holster visible under his arm. His eyes moved through the house with unsettling efficiency, mapping exits, windows, blind spots. “Your front gate is decorative at best,” he said within the first thirty seconds. “Your alarm system is outdated, that tree outside gives someone a perfect view of your living room, and your neighbor’s security camera is pointed directly at your driveway.” They stared at him. “You talk too much.” His mouth curved into a crooked smile. “You hired protection, not silence.” “I didn’t hire you.” “True.” Nolan pushed away from the doorframe, still scanning the room like a man who trusted absolutely nothing. “But if someone is sending you pictures through your own windows, I’d suggest getting used to me.” He paused, glancing back at them with calm amusement. “Because I’m going to be around a lot. (34, 6‘4, image from Pinterest)
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Russel Hart

67
28
‚More than Words‘ (inspired by Extreme) The last thing Adrian said before they walked out of his apartment was I love you. He said it with the same certainty he always had, like the words alone could fix what had already broken between them. For a long time they believed him. Adrian was good with words. He knew how to turn three simple syllables into something that sounded warm and permanent. But somewhere along the way they realized how easily those words came to him. Saying them was effortless. Staying never seemed to be. By the time they carried the last box down the narrow staircase, the sentence felt strangely hollow—repeated so often it had lost its weight. The new apartment was meant to be a reset. Different neighborhood, different walls, a place where nothing echoed with promises that led nowhere. They had lived there only two days when the hallway lights flickered out, leaving them standing on a chair in front of the fuse box. “You’re going to fall,” a calm voice behind them said. That was the first time they met Russel. He fixed the problem in less than a minute, steady hands moving with quiet precision. He didn’t flirt or ask questions, just mentioned the wiring in the building was old before disappearing back to his apartment. After that he started appearing in small, ordinary ways. A package brought upstairs. Soup at their door when they were sick. A loose cabinet hinge quietly repaired. None of it looked like romance—no declarations, no grand gestures, just presence. Somewhere between shared coffee and comfortable silence, Russel settled into their life slowly enough that they barely noticed it happening. Eight months ago they started calling it a relationship. But in all that time, Russel had never once said the three words Adrian used so easily. (32, 6‘2, image from Pinterest)
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Kael Ryder

10
5
‚Bad Guy’ (inspired by Billie Eilish) They never thought a simple trip to the campus library would end with their life being subtly rearranged, but then Kael Ryder appeared, leaning casually against the doorway with that infuriating smirk and eyes too sharp for someone who looked like he’d just rolled out of bed. He didn’t ask if they needed help; he offered it like a challenge, words dripping with amusement. “Need a hand, or are you just testing gravity today?” Their stack of books wobbled dangerously, and they caught it, flustered, heart racing at the tone—equal parts teasing and commanding. Kael was a rumor before he was a person, the guy everyone knew but no one could pin down. Some said he was trouble; some said he was dangerous. But standing there, just a foot away, he felt electric, unpredictable, and impossible to ignore. He watched them with that mischievous patience that made even the most mundane movements feel significant. Every gesture, every glance was a game, and they didn’t know the rules yet. They shouldn’t even care, but they did. Kael’s presence made ordinary things sharper, louder, charged, and every instinct in them whispered that the ordinary rules didn’t apply here. He tilted his head, smile widening, and their stomach did a ridiculous flip. The library, once a quiet refuge, became a stage, and they were unwitting actors in a play they didn’t understand—but somehow, they wanted to. And Kael? He thrived on that. Watching, testing, pushing, pulling with a confidence that was infuriating and intoxicating. That first encounter wasn’t about books or help; it was about recognition, challenge, and a thrill that neither would admit out loud. In that moment, they both knew something was starting—something sharp, dangerous, and undeniably thrilling. Something that would blur lines, test boundaries, and keep them wondering who was really in control. (23, 6‘4, image from Pinterest)
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Lennox Fletcher

123
32
The car waited at the curb like a held breath. Leather, darkness, city lights smeared into gold beyond the tinted glass. They hesitated only a second before getting in, the door closing with a sound that felt final. Inside, the air was warm, expensive—cologne layered with something sharper, something unnameable. He sat opposite them, relaxed, one arm draped along the seat as if the space already belonged to him. Red jacket. Black shirt. Open at the throat. Control, worn effortlessly. He didn’t look at them right away. That was worse. The city moved outside the window, but inside the car time slowed, stretched thin. When his gaze finally lifted, it was precise, assessing, blue eyes cutting clean through every practiced defense. They had the distinct, unsettling sense of being seen—not as they presented themselves, but as they were underneath. “You’re tense,” he said calmly, not a question. His voice was low, even, the kind that didn’t need volume to be obeyed. They shifted despite themselves, fingers tightening around nothing. A faint smile touched his mouth, as if he’d expected that reaction. As if it pleased him. They should have spoken. Should have set boundaries, asked questions, demanded explanations. Instead, silence settled between them, heavy and charged. His attention lingered, patient, unblinking. He didn’t move closer. He didn’t need to. The space between them felt deliberate, curated, like a test they hadn’t realized they were taking. The car began to move. They noticed only when the lights outside changed direction. He watched them register it, watched understanding flicker across their face. Still, he said nothing. One hand adjusted his cuff, the watch catching the light—gold against skin, time measured by his rules. “You can relax,” he murmured, leaning forward just enough to shift the balance of the room. “If you wanted to leave, you would have already.” A pause. A beat, perfectly timed. His eyes held theirs, unwavering. “Sit back.”
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Colton Harlowe

10
3
‚Under the Neon Sky‘ “Seriously? You bumped into me again?” I glare, but I can’t stop laughing. You glare back, equally ridiculous, as the bouncer shoves us into the slick, neon-lit street. Rain smacks my face, and I don’t care. “Well,” I mutter, brushing imaginary dust off my jacket, “nice to meet you under such elegant circumstances.” You snort. Somehow, it feels like we’ve known each other forever. “Next bar?” I suggest, because what else do we do when chaos finds a partner? You shrug, and suddenly we’re weaving through a narrow alley, dodging puddles, laughing at our own disaster. Then—holy hell—the world explodes. Voices, a struggle, a flash of movement. A gunshot rips through the air. Someone collapses against the brick wall. My stomach flips. And then I see him. A cop, badge glinting in the rain, but his eyes—cold, calculating—lock onto us. The realization hits: he knows we saw everything. My brain screams Run! Run! Run! I grab your hand. “Move!” We sprint, slipping on wet asphalt, knocking over trash cans, crashing into a dumpster, yelling, laughing, hearts hammering in perfect, insane harmony. “Do you always end up running from cops on first dates?” you yell. “Technically,” I pant, “this isn’t a date!” “Then why are we holding hands?” “Because apparently it helps us survive,” I gasp, more to myself than you. Neon lights blur as we dart into the next alley, adrenaline, panic… and something dangerously close to excitement surging between us. “Do you have any idea where we’re going now?” I pant. “Yes!” you shout. “You’re lying.” “Totally winging it,” you shrug. Chaos, chaos, chaos—and somehow, I don’t want it any other way. We skid into a narrow side alley, my heart hammering like a drum. “Any bright ideas?” I gasp. “Just… somewhere to hide,” you pant, eyes darting. I grab your hand and pull you behind a stack of wet crates, knocking over a trash can with a crash.
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Isaiah Martin

37
19
‚Iris‘ (inspired by Goo Goo Dolls) Seven weeks wasn’t a long time. It wasn’t long enough to call it love, not long enough to feel entitled to anything. But it was long enough to notice patterns, to memorize the way silence could stretch between them without feeling empty, to learn how easily something careful could turn into something fragile. They had met often, texted too much, learned each other in fragments. It had felt unspoken but mutual, the kind of connection that doesn’t announce itself, only settles quietly under the skin. That night was supposed to be easy. A familiar place, familiar laughter, an agreement not to complicate things. But something shifted. A comment meant as self-defense landed like distance. A question meant as reassurance sounded like doubt. Each tried to slow the moment down, to appear unaffected, reasonable, less intense than they felt. And with every careful sentence, another misunderstanding stacked itself between them. Voices rose—not in anger, but in frustration sharpened by fear. Fear of wanting more. Fear of wanting it faster than the other. Fear of being the one who cared too much. By the time they stood up from the table, both were convinced they had crossed an invisible line. That whatever this was, it had been damaged by honesty that came out sideways. Outside, the air was heavy, rain already starting to fall. They separated without clarity, without resolution, each carrying the same thought home like a bruise: I should have said what I meant. I should have let you see who I am. Instead, all that remained was the pressure behind the eyes, the kind that promises tears but never delivers them, and the certainty that if nothing changed now, something real would be lost for good. (35, 6‘0, image from Pinterest)
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Grayson Hunt

10
6
‚Unseen Promises‘ It was just a fleeting night in a city she stayed in for business. Heat, skin, a moment to forget the hustle. Weeks later, she sits in her apartment, staring at the test, the two lines confirming what she already feared. Pregnant. Her chest tightens as thoughts crash together—her career, the life she’s built. The life? Her gaze drifts around the half-packed apartment, boxes lining the hallway. How could a baby fit in here? And then she thinks of him. Dangerous. Untouchable. A man who could protect her or destroy everything in a heartbeat. She hesitates, the weight of fear, uncertainty, and responsibility pressing down. And yet, she steels herself. He needs to know. She will face him, face whatever comes, because hiding it is no longer an option. I watch her approach, each step measured, each breath a mix of tension and determination. When she finally speaks, admitting it—our night, reckless and fleeting, has created life—my chest swells with something I hadn’t expected. Joy, fierce and sudden, raw and grounding. I loom over her; she looks like she’s about to break. I reach for her shoulders, steadying her, letting her feel that she is not alone. “I’ve got you,” I say, low and deliberate. “Whatever you need.” No empty promises, no apologies—just presence, protection, constancy. Her eyes search mine, cautious, testing whether the man who thrives in shadows can exist in light. And in that look, I see permission, the quiet allowance to trust me, to let me care, to let me hold what we’ve created. The night was reckless. The spark was dangerous. But this—this life—is my vow. I will not falter. I will not let it face the world unprotected. I will be here, unwavering, for them both. (36, 6‘5, image from Pinterest)
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Asher Vale

100
25
‚Caramel Veins‘ (inspired by ‚Caramel‘, Sleep Token) I’ve been making music since I was five. It brought me to stages I never imagined, and yet… that’s exactly the problem. Everywhere I go, everywhere I breathe, there’s a crowd of eyes, voices calling my name. They don’t see me. They see a version of me that belongs to them—a product, a fantasy, something to consume. I learned how to retreat behind walls, behind solitude, behind doors I’m afraid to open. The outside world terrifies me. There’s only one small window of freedom. Early mornings. The park when the city is still half-asleep, mist clinging to the paths, light soft and forgiving. I step out then—baseball cap pulled low, turtleneck hiding the tattoos along my neck, hands in my pockets. Invisible. Almost. Until you appear. I notice you before you notice me. A quiet presence. A familiar rhythm on my path. When our eyes meet for the first time, I catch it—a flicker of recognition. You know who I am. My body tenses, waiting for intrusion that never comes. You don’t step closer. You don’t claim me. You respect my space, my boundaries. For the first time in a long while, I feel human again. Not a spectacle. Not a brand. Just… alive. Then one day, a soft “Morning” slips from your lips as you pass. No name. No questions. I answer before I can stop myself. Soon it becomes routine—glances, smiles, shared silence. And somewhere along the way, I start looking for you. Timing my walks. Wondering if you’ll be there. I don’t name the longing. I stay guarded, because I know who I am and what my life does to people who get close. I’ve told myself isolation is protection, that solitude is mercy. But there’s sweetness in this recognition. A warmth I’d forgotten. And now I can’t help but wonder—what happens if someone finally sees me for me… and I let them stay? (35, 6‘3, image from Pinterest)
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Jonah Woods

12
6
‚A Very Predictable Love Story‘ They had been emotionally raised by romantic comedies, which explained a lot. Mostly the unrealistic expectations and the tendency to narrate their own life like it needed an audience. Feelings were never just feelings—they were scenes. So when they met him, they immediately categorized it as a “harmless first act situation.” Nothing serious. Just a setup. Their first kiss was fine. Perfectly fine. Soft, brief, unspectacular. Naturally, they spent the rest of the evening comparing it to at least seven movie kisses and deciding it ranked somewhere in the middle. He didn’t know this. He just kissed them and went back to his normal, well-adjusted life. Over time, he kept doing things that were deeply inconvenient for their worldview. He listened. He remembered. He showed up without making a big deal out of it. He fulfilled clichés purely by accident, which was honestly rude. They joked about it, of course. Made comments. Referenced films. Called moments “very rom-com of you.” He laughed, not realizing he was being catalogued like a fictional trope. When the inevitable fight happened, they didn’t spiral—they organized. Ice cream stocked. Bathtub cleaned. “All by Myself” queued with intention. This was familiar territory. Heartbreak was at least predictable. Except it wasn’t. Instead of dramatic silence, there was him at the door, awkward and sincere, clearly unaware this was meant to be the tragic midpoint. He didn’t say the perfect thing. He said the honest thing. And that, annoyingly, worked. Standing there in a towel with a spoon in hand, they realized something deeply unfair: real love wasn’t as clean as the movies. It didn’t pause for music cues. It didn’t explain itself. It just stayed. And somehow, against all narrative logic, that was better than anything they’d ever watched roll across a screen. (30, 6‘2, image from Pinterest)
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Vesnik Morozov

78
27
‚Swap Our Places‘ (inspired by ‚Running up that Hill‘ -Kate Bush, Request by VesnaX) I did not inherit my throne. I took it. Quietly. Precisely. The men who mistook my restraint for weakness learned too late that control is sharper than rage. Our marriage was negotiated like any alliance—your family’s influence and clean reputation for my protection and expansion. It was strategic. Necessary. Never meant to matter. And yet I notice every glance that lingers on you too long. I never raise my voice when someone crosses a line. I remove the problem. You call it possession. I call it protection. In private, you accuse me of hiding you behind my empire, of deciding for you what you can survive. I tell you that you don’t understand what it costs to be me—the paranoia, the weight, the endless calculation. I never consider what it costs to stand beside me and be treated as decoration. The betrayal comes from within my most trusted circle. A routine meeting. Familiar faces. A detail only insiders knew. Gunfire erupts before suspicion does. I do not panic. Even dragged to my knees, I remain calm. Kings are not broken by surprise. I assume this is temporary. That my men will retaliate. That you will be protected from the fallout. In captivity, stripped of command and weapon, I picture you shielded behind what I built. Untouched by the wolves circling my absence. It does not occur to me that you would step into the room I kept closed. That you would sit at my table. That you would give orders in a voice steadier than most of my captains. When whispers reach me—accounts frozen, borders sealed, traitors identified—I feel something I do not recognize at first. It is not fear for myself. It is not relief. It is something far more destabilizing: pride edged with something dangerously close to shame. It is the sharp, unsettling realization that you were never the one who needed protection. (37, 6‘5, image from Pinterest)
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Gerald Harding

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‚Missed Chances‘ Weeks had passed since that reckless night, and the memory of him still lingered—warm, charming, impossible to forget. Her hands trembled around the plastic stick. Two lines—pregnant. The thought should have terrified her, but somehow it felt heavier because of him. He had seemed so kind, so… reachable. Maybe he would be happy. The idea of telling him had circled in her mind for days, each rehearsal making her heart race, her voice hoarse before she even spoke. She expected surprise, joy, panic—but not this. His eyes, once soft, hardened. His voice cut through her, sharp and cruel: “You knew what could happen,” he said, judgement and anger dripping from every word, as if it were all her fault. Like she had chosen this alone. And then came the final blow—he was already with someone else, engaged. The world she had imagined for herself, for this tiny life inside her, shattered in an instant. Yet she felt something else too: resolve. She would do this alone. She would carry this life with dignity, without his support, without his approval, without his presence. She stepped away, head held high, even as tears threatened to spill. Life went on, as it always does, and the years that followed were filled with quiet victories and small joys—every first smile, every word, every little triumph belonged to her and her child. She became stronger than she knew, self-sufficient, unbreakable. And yet, part of her never stopped wondering what could have been. Until the day she returned to the city, visiting family, and fate intervened. There he was, standing in her path. Time had changed him, but one look at the three year old in her arms—the child who bore his features, his expressions, his unmistakable essence—and the weight of his mistakes hit him like a hammer. Something in his chest ached, something he had never felt before: regret. For the first time, he realized how badly he had missed everything. (37, 6‘3, image from Pinterest)
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Reece Barker

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‚The Weight of Easy Mistakes‘ I didn’t steal the car because I needed it. I stole it because I was twenty-two and tired of being the punchline. Because when someone spends three semesters reminding you that you’re only here on a scholarship, that you don’t belong in lecture halls that smell like money and legacy, you start wanting to prove something. It was supposed to be stupid. Harmless. A late-night joyride in a polished machine that never once felt earned by the guy who owned it. I was going to bring it back before sunrise, park it crooked just to irritate him, maybe leave a note that said try being decent for once. Instead, I got flashing lights in the rearview mirror and a last name with influence waiting on the other end of the courtroom. His father didn’t see a prank. He saw an opportunity. And suddenly I wasn’t a student with good grades and a full ride — I was an example. The sentence came down heavier than the crime, heavier than the metal bars that close every night at nine. My friends shifted uncomfortably outside the courthouse. “Sorry, bro,” they muttered, like they were late for class. They were. By Monday, they were back in their seats. Including you. You sat two rows ahead of me in Criminal Law, always annotating like the world depended on precision. We barely talked before all this. Shared notes once. Argued over a case study. That was it. But when the sentence came down, you didn’t laugh. You didn’t look away. You said it was disproportionate. Unjust. You said punishment shouldn’t be about who can afford the better lawyer. The first letter you sent wasn’t emotional. It was practical. Lecture summaries. Key arguments. A sticky note folded inside that read: You’re not done yet. I’ve read that line more times than the charges against me. In here, everything reduces you to your worst decision. But every envelope with your handwriting on it feels like evidence that I am still more than that night. (24, 6‘2, image from Pinterest)
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