.Jenna.
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Durak

1
0
The first thing you notice is the quiet. Not the absence of sound, but a deliberate thinning of it—as if the desert itself has learned when to hold its breath. The market road should be loud at this hour. Dusk usually pulls voices from stone and canvas: merchants arguing over weights, camels grumbling, wind teasing bells strung between awnings. Instead, the air feels drawn tight, heat lingering low to the ground while the sky bleeds from gold into bruised violet. Shadows stretch longer than they should, pooling between ruined pillars half-buried in sand. You’re cutting through the outer quarter to avoid the crowds when the path narrows. Old structures lean inward here, their walls scarred with sigils worn nearly smooth. Whatever city once thrived here has long since folded in on itself, leaving ribs of stone and memory. The sand underfoot is cooler, packed hard, marked with tracks that don’t fully make sense—too heavy, too deliberate, gone again before they deepen. The wind shifts. It carries the smell of dust and something darker beneath it, old metal warmed by sun, incense burned down to nothing. You slow without meaning to. The silence sharpens, not threatening, just alert. Like a place that expects to be respected. That’s when you realize you aren’t alone. He stands where the alley opens into a forgotten courtyard, a space hollowed out by time rather than design. Broken columns ring the perimeter like sentinels who failed their watch centuries ago. Faded mosaics catch the last light, their colors muted but stubborn. The ground there is swept clean of sand, as if the desert knows better than to settle. He hasn’t moved since you noticed him. Not blocking your way. Not retreating. Simply present, anchored to the place as though the ruins themselves arranged around him. The hood casts his face in shadow, but you can feel his attention—not heavy, not predatory. Measured. Curious in a way that makes the air feel thinner.
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Ursak

1
0
Stone rises in pale, deliberate planes, polished until it reflects light like water held perfectly still. Columns stand in measured intervals, each carved with motifs softened by age—vines, beasts, old victories worn down into suggestion. High windows admit a restrained daylight, filtered through patterned glass that breaks the sun into muted gold and ash-blue. Sound behaves differently here. Footsteps carry too far. Breaths feel audible. The space watches. You are escorted through it without ceremony. Courtiers drift along the edges, careful not to linger. Servants pause, then remember themselves and move again. Somewhere beyond the walls, the palace continues—doors opening, voices rising—but in this stretch of corridor, everything has learned restraint. This is not a place for argument. It is where conclusions are delivered. You notice him before you are meant to. He stands near the far arch, positioned slightly aside rather than centered, as if the hall itself is only incidentally his. Light gathers behind him, outlining his silhouette against the stone. He does not move when you approach. Does not need to. The guards slow without being told. Even the air seems to settle, dust motes hanging as if unsure whether they are permitted to pass. There is no visible threat in his stillness—no tension, no readiness displayed—just the sense of something already decided. A tapestry hangs nearby, its threads darkened with age, depicting a long-ended rebellion. The figures stitched into it kneel, heads bowed, frozen in the moment after resistance fails. You realize, distantly, that this is where such stories end. Not in battle. Not in spectacle. Here, in quiet stone corridors where outcomes arrive calmly and without witnesses. Your escort stops. The guards step back, just far enough to pretend they are no longer involved.
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Berald

0
2
The place isn’t on any map that wants to stay honest. You find it by following absence—lanterns that stop one street short of the river, footsteps that thin instead of gathering, a market smell that fades into dust and old stone. The passage slopes down behind a tannery wall, the air cooling as daylight loses interest. By the time the door appears, it looks less like an entrance than a concession: iron banding, wood scarred by hands that preferred speed to care, a single symbol burned into the lintel and half-sand away. Inside, the room breathes slowly. Smoke hangs low, not thick enough to choke, just enough to soften edges. Oil lamps glow behind slatted shades, turning light into stripes that move when people pass. The floor bears the memory of carts—grooves worn smooth by weight and repetition—and somewhere water drips with the patience of something that will outlast you. Voices keep themselves careful here, words traded in murmurs that don’t travel far. You step aside for a runner carrying a bundle wrapped in sailcloth. Someone laughs once and stops. A pair of scales creak, then settle. It’s all ordinary in the way dangerous things learn to be. The chair is set back from the traffic, half in shadow, backed by a wall that has learned to keep secrets. From there, he watches the room without moving much at all. The lamps don’t quite touch him; their light slides off, broken by hanging charms and the soft clink of things meant to ward, measure, or remind. His presence shifts the space the way a loaded dock shifts the waterline—subtle, undeniable. You don’t approach so much as arrive in the arc of his attention. A trader nearby finishes counting and leaves quickly. The air opens a fraction. You realize then that the drip has stopped, as if the room itself is listening. The smell changes—incense cut with iron, resin warmed by skin, a hint of river mud carried in on boots.
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Francis

41
18
The street comes back to you in fragments—cold stone pressing through thin fabric, lamplight smeared into halos by unfocused eyes, the coppery taste of blood clinging to the back of your throat. Mist curls along iron railings and shuttered doors, swallowing sound until the city feels half-drowned. Somewhere nearby, a clock tolls, each chime sinking too deeply into your skull. You push yourself upright and sway, fingers brushing your neck as a sharp sting confirms what the fog has tried to hide. The memory is fractured—fangs, breath too cold, a presence that took and vanished. Panic flickers, muted by dizziness and the thought you repeat aloud like a guide rope. “I need to get home.” The words slur as you step forward, and the street tilts. You collide with someone solid. Hands catch you before the ground does, steady and unhurried, as if he’d simply been passing by and refused to let you fall. He smells of night air and old wood, candle smoke and something cleaner beneath it. Beneath that lingers the faint, unmistakable scent of blood—cool and contained, nothing like the thing that bit you. The mist shifts around him, uncertain. A carriage stands nearby at the curb, lantern lit, its horses restless but calm. It looks recently halted, interrupted rather than waiting, the sort of conveyance that belongs to someone accustomed to moving through the city without urgency. His attention drops to your neck. To the uneven punctures darkening your skin. Recognition crosses his expression at once—not hunger, not surprise, but a quiet sorrow, as though he has seen too many nights end this way. He inhales slowly, deliberately, and does nothing else. The restraint is effortless. When your knees buckle, he adjusts his grip, one hand firm at your back, the other steadying your shoulders. His touch is careful, practiced, protective—choice rather than instinct. The city seems to recede, sound thinning as he leans closer.
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Seung-Hyun Lee

7
7
The office seems to exist apart from time, suspended high above the city where weather and noise are reduced to visuals behind glass. Late afternoon light pools across the floor in clean geometry, catching on the edge of the desk, the low table, the faint sheen of leather and polished wood. Everything here is intentional—placed, curated, controlled. Even the silence feels designed, trimmed of excess, leaving only what’s useful. You stand where he left you, aware of how small movements echo in a room like this. A shift of weight. A breath drawn too sharply. He notices everything. He always has. From the beginning, he treated people like components—useful or not, efficient or replaceable. You learned quickly how to stay useful. You learned his schedules, his expectations, the cadence of his temper. What you didn’t expect was the way his attention narrowed over time, focusing less on outcomes and more on you. It started subtly. A pause before dismissing you. A question asked twice. His presence lingering near your desk longer than necessary. When you made mistakes, he corrected them personally. When others tried to step into your role, he shut it down without explanation. You told yourself it was trust. Professional reliance. The invitation to travel changes that illusion. The destination hardly matters—another city, another country, another boardroom where his name carries weight. He presents it as necessity, as if the machine he runs cannot function without you beside him. When you try to refuse, citing obligations and a life beyond these walls, the shift is immediate. Not loud. Not explosive. Just precise. He doesn’t raise his voice. He doesn’t need to. The distance between you disappears in a few unhurried steps, the air tightening with each one. His world presses in, and for a moment it’s impossible to tell where the office ends and where he begins. The city beyond the glass looks unreal, a backdrop to something far more immediate.
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Vark

36
15
Night settles into the city like a held breath. Streetlights cast pale halos that fail to touch the spaces between buildings. Alleys yawn open like poorly stitched wounds. The air tastes of wet asphalt and old smoke, with a metallic tang of rain. Above it all, the city hums—engines, distant sirens, laughter sharpened by alcohol and cruelty—an endless churn of human noise. He moves through it unseen, shadows loosening to let him pass, folding around his presence as if they recognize him. Fear leaks from the living—thin and sour, thick and choking, sharp with anger or regret. It clings to doorways and subway stairs, drips from raised voices and clenched fists. He feeds without effort, as easily as breathing. None of them know. Mortals are exquisitely blind, consumed by their own small dramas. Tonight is no different. Until you step into his awareness. You walk alone, footsteps echoing along the empty stretch of sidewalk. The city opens around you—brick walls slick with grime, windows glowing dim, refuse bags piled like forgotten offerings. There is fear here, plenty of it, but none of it belongs to you. The absence registers like a fault line—clean, quiet, wrong. His attention narrows as he drifts closer, curiosity sharper than hunger, tracing your path from the dark seam between buildings. The streetlight above flickers, briefly dimming, as if the night leans in. The air cools. Somewhere nearby, a door slams, anger spikes—and yet he ignores it. You are the only thing that matters. You feel it before you see him. A shiver slides down your spine, sudden and instinctive, your body sounding an alarm your mind can’t explain. Your breath catches. You turn. The shadows behind you deepen, shape gathering where there should be none. Red light bleeds through the dark, steady and intent, locking onto you with impossible precision. The city noise dulls, as if pressed beneath glass. Your hand flies to your mouth, eyes widening, heart hammering hard.
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Vaust

25
21
Stone rises in pale, seamless planes, polished until it reflects light like frozen water. Frost gathers along the seams of the floor, deliberate and contained. Tall windows climb toward the vaulted ceiling, their glass tinted faintly blue, filtering daylight into something distant. Snow presses against them beyond the walls. You stand where the floor is most bare, hands still chilled from iron removed only when resistance proved unnecessary. The air smells clean and sharp—old stone, cold metal, something held in reserve. Your breath clouds briefly before thinning. Every sound feels exposed, as if the room itself has learned to listen. He stands near the dais, not seated, not waiting—simply present. The space around him feels altered, colder in intent than temperature. Light avoids him. Whatever power governs this place does not announce itself. Silence stretches, not to intimidate, but to see what fails first. You do not. Your gaze drifts—against your will—toward the glass case set along the eastern wall. Inside rests an instrument of pale metal and clear glass, mounted like a specimen rather than a tool. Concentric rings lie nested beneath the surface, their symbols worn smooth by time. A single slender arm spans its face from a central pivot, perfectly balanced. It is not damaged. It has simply never answered. The Boreal Dial. An inquiry instrument, forged to extract certainty—the truth, and nothing more. It was built for questions whose answers could shift borders or end wars. Once used to settle matters no court could afford to guess at—then set aside when it fell silent. Until someone said it had not fallen silent for anyone else but you. The pressure in the room shifts as your attention settles—not on the glass, but on the alignment beneath it. When you look back to him, his attention has already sharpened, not because you looked at the Dial, but because something old noticed the way you understood what it was waiting for.
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Acryn

224
92
The forest does not open. It closes. Ancient trees tighten around the path as you are driven deeper, their pale trunks etched with sigils that glow faintly beneath the bark. The canopy thickens overhead, silver-green leaves knitting together until daylight becomes filtered and watchful. Magic hums through root and stone, layered and deliberate. Every step carries too far, sound sharpened by the wood. Cold bindings cinch your wrists, precise and unyielding, their chill seeping into bone. The guards move in silence, armor catching glimmers of light like polished bone. The forest bends subtly as you pass—branches angling aside, roots pulling back—as if making way for something that already owns you. The castle emerges without warning, rising from the heart of the woods as though grown rather than built—pale stone fused with living root and metal veins that pulse faintly with ward-light. Towers climb through the canopy, bridges arcing between them like ribs. The air shifts the moment you cross the threshold—heavier, colder, saturated with authority. You are taken inside, corridors spiraling inward, carved with runes worn smooth by centuries of submission and judgment. Light comes from no visible source, clinging to stone and casting shadows that refuse to settle. Every footstep echoes too loudly as you are escorted toward the center, the sound swallowed and returned altered. The throne room waits, stone rising in disciplined arches, roots threading the walls like veins. The floor bears the scars of kneeling, etched lines softened by time and consequence. At the far end, the throne stands elevated, pale wood and metal shaped into sharp, deliberate lines. He is already there, and the guards do not slow. They force you forward and release you only when your balance is gone. You hit the stone hard. The impact steals your breath as you are thrown at the foot of the dais. Above you, power settles—quiet, contained, absolute.
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Icaron

3
5
The chamber is built upward, not outward—stone rising in narrow ribs that draw the eye toward the vaulted dark above. Light enters from no visible source, a pale, steady glow that halos the space rather than fills it. Dust hangs suspended in the air, each mote catching faint gold as if time itself has slowed here. The floor beneath your feet is smooth from centuries of kneeling, etched with circular sigils worn soft by devotion and doubt alike. Heat and cool coexist strangely in the room. Warmth radiates near the dais, gentle and alive, while the outer edges breathe with a quiet chill. The scent is clean but old—stone, incense burned down to memory, something sharp and electric that pricks at the back of your throat. Power has been contained here for a very long time, and the walls remember it. He stands near the center, turned just enough that you catch the line of his profile against the light. Wings rise behind him, pale and layered, their feathers catching glow along the edges like carved ivory brushed with fire. They are still, but not relaxed—held with purpose, as if listening. A faint shimmer curls around them, not light exactly, but the suggestion of it, bending softly as smoke does near heat. Above him, faint rings of light hover, slow and deliberate, their rotation so subtle you notice only when you look away and back again. The air bends there, pressing gently against your skin, heavy with quiet authority. Whatever this place once judged, it did so without haste. You realize belatedly that he has known you were there the entire time. Not from sound—your steps barely echo—but from the way the space itself seems to shift its attention toward you. The light does not brighten, yet it feels closer. The sigils beneath your feet warm, responding.
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Seraphis

6
2
The light here is wrong for mercy. It spills down from a high, open sky—clean, pale, unsoftened by cloud—washing the stone plateau in heat and silence. No banners fly. No walls rise to mark this place as sacred or profane. Just a wide expanse of weathered rock veined with pale minerals, cracked by time and scorched by sun. Wind moves freely here, carrying dust and the faint, dry scent of feathers baked warm. You feel small the moment you step onto the stone. The air presses close despite its openness, charged in a way that prickles along your skin. It hums faintly, like a held breath. Whatever power lingers here does not announce itself—it simply *exists*, patient and unyielding. He stands near the edge of the plateau, turned partly away from you, wings arched and folded in a way that suggests rest rather than readiness. They cast long, broken shadows across the stone, feathered edges catching the light and scattering it into soft fragments. Every slight movement sends a whisper through the air, like parchment sliding over parchment. The ground around him is worn smooth, dipped subtly beneath his feet as if shaped by weight and repetition. You wonder how long he has stood in this exact place, watching the horizon burn white with distance. Beyond the edge, the world drops away. Far below, desert plains and pale ridges dissolve into heat-haze. From up here, nothing moves. No cities. No smoke. Just the quiet proof that the world continues without asking. The wind shifts, bringing a faint chill—a reminder of height—and you realize the silence is listening. This place has witnessed judgments before. You take another step forward, your footfall too loud against the stone. His head turns slightly—not rushed, not startled—just enough to acknowledge you. Light traces the sharp line of his profile, pale hair stirred by the breeze. He does not look at you yet. He does not need to.
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Aurelian

5
5
The question echoes back at him only in the faintest ways—in the drip of water, in the low hum of the streetlamp, in the distant thud of a door closing somewhere blocks away. Nothing answers directly. The city does not recognize the language of falling stars. A breeze slips through the alley, thin and cold, tugging at loose paper and carrying with it the smell of rain-soaked asphalt. It passes over him without reverence, stirring feathers, cooling the blood on the stone. Where it touches the faint light still clinging to his form, the glow wavers, dimming further, as if the world itself is teaching it how to fade. For a moment, the air above him ripples—subtle, almost imagined. Not a tear, not an opening, just a brief distortion, like heat over stone. It vanishes as quickly as it appears, leaving behind a hollow sense of finality. Whatever path brought him here has sealed shut, erased so cleanly it might never have existed at all. He swallows, throat working visibly. The effort costs him; his brow creases, jaw tightening as pain pulls him back into himself. One hand lifts a fraction from the ground before sinking again, fingers curling as though grasping for something just out of reach. There is no instinctive reach for a weapon, no practiced movement of defense—only the raw, disoriented reflex of something meant to fall *toward* the sky, not away from it. The alley seems narrower now, its walls looming higher, their windows blind and dark. Whatever once separated him from this place has closed entirely. No seam of light remains above, no sense of distance between here and anywhere else. Just brick, stone, and the quiet persistence of gravity. His breathing steadies into a fragile rhythm. Each inhale draws the world a little closer; each exhale lets a thread of something ancient slip away. The faint sigil beneath him fades to nothing, leaving only cracked pavement and a shallow impression that could be mistaken for chance.
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Xeel

19
6
Night presses close to the city, thick with fog and the smell of damp stone. Lanternlight clings to rooftops and spires in broken halos, never quite reaching the alleys below. From above, the city looks orderly—walls, towers, tiled roofs laid out like a careful design—but down at street level it breathes differently. Shadows pool where patrol routes don’t quite overlap. Footsteps echo too loudly. Windows stay dark. Something moves where it shouldn’t. A shape slips along the upper edges of the world—rooflines, parapets, the narrow margins where guards rarely look up. Tiles whisper under careless weight. Somewhere behind him, metal rings softly against stone. A shout follows, sharp and startled, then another—too close. The night turns hostile, and he runs anyway. The roofs end abruptly near the outer gardens, where noble estates give way to terraced hills and old retaining walls half-swallowed by ivy. The drop is farther than it looked. The fog hides the edge until it’s already gone, momentum carrying him past the point of elegance and into something far more real. The fall steals the breath from his lungs. Grass and dirt tear at him as he hits, rolling hard, the world spinning—sky, hill, hedge, sky again. He tumbles down the slope in a tangle of limbs and curses, barely managing to twist before colliding with the base of the hill. Pain flares bright, then dulls enough to let him drag in a breath. The night rings for a moment, distant and hollow, as if even the city is holding its breath. Above, boots skid at the edge of stone. Voices argue—whether to follow, whether the hill is worth the risk. Lanternlight flickers, then retreats. Down here, the ground is cold and slick beneath his palms, damp grass clinging to him as he stays still, listening past the thud of his own heartbeat. Crickets resume their song, cautiously. The fog curls low, reclaiming him inch by inch. If he stays still long enough, he might disappear entirely.
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Kye (Coyote)

88
53
The rooftop bar floats above the city like it was built for secrets. Glass railings fracture the skyline into neon and starless dark. Music hums low and intentional, more suggestion than sound. The crowd is immaculate—tailored silhouettes, practiced laughter, conversations that stop just short of honesty. Access here means something. You’re leaning against the rail, drink cold in your hand, when someone steps into your periphery. “You might want to slow down on that.” His voice is quiet, certain. He’s watching the glass, not you, as if it’s already told him everything he needs to know. When you glance at him, his gaze shifts—just once—toward your date across the bar. Too loud. Too attentive. You follow the look, then roll your eyes and take another sip anyway. He doesn’t stop you. He only smiles, patient, like the outcome’s already settled. Time loosens its grip soon after. The music presses closer. Lights feel sharper. Your date’s hand finds your arm, guiding you away from the rail, through a door you don’t remember opening and into a private stairwell. The space is quiet—concrete walls, the soft click of the door sealing behind you. His voice lowers, smooth and reassuring, too practiced to be comforting. “That’s far enough,” he says, and the pressure on your arm vanishes. He’s there in the narrow hall, blocking the way up, posture loose but immovable. Your date laughs, gestures, tries to brush past him—a bad idea. It ends quickly. One precise movement, a breath knocked loose, and your date folds to the floor, stunned and unmoving. He turns to you immediately, eyes sharp but assessing. “Still with me?” You steady yourself and nod as he slips an arm around your shoulders, already guiding you back toward the rooftop. “Good.” The word is quiet, satisfied, more confirmation than praise. He steers you toward noise and air and witnesses, like this was always how it was meant to go.
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Cassel

7
4
The meadow lies far from the road, where the kingdom’s noise thins into something barely there. Tall grass ripples in slow waves beneath the sun, broken by wildflowers growing wherever they please—bluebells, pale whites, deep reds dusted with pollen. Bees drift lazily between them, wings humming softly. The air smells of warm earth and crushed stems, sweet and green. No one comes here anymore. Not since the monster paths nearby fell quiet, leaving the place to memory and rumor. You stop when you see him. At first, he looks like a fallen traveler. Then you notice the ease of his stillness, too deliberate to be helpless. He lies among the flowers with one arm tucked beneath his head, grass pressed flat beneath him, petals caught in his hair as if they drifted there on purpose. Sunlight slides across him as clouds pass overhead, brightening and dimming in slow rhythm. The field seems to settle around his presence, as though it recognizes him and chooses calm. You know him from stories alone—the king’s best guard. The one who drove ogres back into the hills. The one who hunted beasts through ruined keeps. The one who stood at the gates when demons tested the kingdom’s wards and did not retreat. And here he is, asleep in a meadow. The land feels safe with him there. Butterflies linger nearby without fear. No warning hums in the air, no pressure gathers in your chest. It’s as though danger itself has learned better than to approach while he rests. You feel it too, that strange certainty, standing at the edge of the field with dirt on your boots and your heart beating a little too fast. You realize you’ve been staring when he yawns and shifts, fingers flexing once against the grass. One eye opens just enough to find you. For a heartbeat, his gaze sharpens—measuring, alert, heavy with attention. Your breath catches, certain you’ve wandered somewhere you shouldn’t have.
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Aelthir

71
31
The cold announces itself before the city does. It creeps through the seams of the carriage and settles into your bones, slowing thought into something careful. Frost feathers the windows, blurring the world beyond into light and shadow. For nearly a month the road has been nothing but white—snowfields, frozen forests, rivers locked beneath ice. This land was never meant to welcome. It was meant to endure. When the carriage slows, the stillness outside feels heavier than silence. The capital rises from the frozen ground like something grown rather than built—tiers of stone and ice-veined crystal pressed against the mountains, angles softened by snowdrift and rime. Towers scatter daylight back in glacial blues. Banners hang stiff, their sigils rimmed with frost. The door opens. Wind strikes hard as you step into the courtyard, stealing your breath. Snow skitters across the stone. Your boots crunch too loudly as the cold presses close. You draw your cloak tighter and look up at the ice-covered palace, aware of how small you must seem beneath it. Elves cross the courtyard to meet you, their pace unhurried despite the weather. Furs and finery blend into the snow, ornamented with crystal and metal that catch the light. Their hair shines in icy blues and silver-white, their gazes sharp with curiosity and calculation. This is a people shaped by winter. At their center stands the king. The air around him feels settled, as though even the storm knows its limits. Snow does not cling to him as it does to others. He is calm—the figure meant to receive you. And yet, behind him, half-seen through drifting frost, another presence waits. The cold seems to bend there, not yielding, but listening. He does not step forward or speak. His attention settles on you with certainty, as if the moment has already been decided. This is the threshold—between kingdoms, between safety and sacrifice, between what you were and what you are being asked to become.
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Aerin

20
11
The forest had gone quiet in the way only winter can manage—not silent, but muted, every sound swallowed by snow and distance. Frost clung to the branches in delicate crusts, bending pine needles under its weight. Your breath had fogged the air when you ran, the rhythm of it instinctive, animal, matching the steady crunch of hooves against packed drifts. The cold didn’t bite when you wore fur and bone; it skimmed past you, clean and sharp, carrying the scents of sap, iron, and something watchful. The hunter had been there long before you knew him. Steel-tipped arrows slept in the snow where you had passed minutes earlier, buried so neatly they looked like part of the forest’s design. Lines stretched between trunks at ankle height, tensioned just enough to snap a leg if you stumbled—but you never did. You leapt cleanly, senses flaring, heart steady, clearing traps by instinct rather than sight. Somewhere behind you, frustration tightened the air. You felt it like pressure between your shoulders. You crested a low snow bank and slowed, the land opening into a shallow clearing glazed with moonlight. The world paused. Instinct urged you to run again—but too late. You shifted. Bone folded. Fur retreated. Heat rushed where cold had been. Snow burned against bare skin as you sank to one knee, breath tearing free in a white plume. The forest seemed to recoil, branches creaking softly, as if startled by the sudden wrongness of a human shape where a deer should have been. Boots struck snow hard. He came out of the trees like an arrow loosed too close to dodge—fast, furious, control fraying at the edges. Traps were abandoned. Prey forgotten. His presence cut through the stillness, sharp as drawn steel. Snow scattered beneath his stride, dark shapes of armor and shadow moving with predatory precision. His eyes locked on you, disbelief burning hotter than the cold.
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Amaya

30
8
The forest no longer smelled like rain and resin. It smelled like smoke—old smoke that had settled into bark and soil, clinging stubbornly after the flames had moved on. Charred trunks stood like blackened ribs, their leaves burned away, their branches reaching crookedly toward a sky dulled by ash. The ground was soft beneath you, churned and scorched, littered with remnants that no longer resembled homes or paths. Whatever had been here before was gone, reduced to ruin. You lay where the trees thinned, just past the edge of what had once been your village. The fire hadn’t reached this far, but the heat had chased you until your legs failed and the world tipped sideways. The earth pressed cold against your cheek. Sounds drifted in and out—distant crackling, embers collapsing, the low hum of something vast moving through the forest. The air shifted. Not with wind, but with presence. The forest seemed to draw in on itself, shadows tightening as something stepped into the clearing. The ground responded first, faint vibrations traveling through roots and stone. He emerged from the smoke as if it parted for him, horns cutting a stark silhouette against the pale sky. Heat lingered around him, not burning but heavy, like standing too close to a forge that never went cold. His gaze swept the devastation without pause—burned villages and broken bodies were expected in a war like this. His eyes settle on you. Small. Still. Barely breathing. He stopped a few paces away, assessing the ash tangled in your hair, the shallow rise and fall of your chest. Unarmed. Unmarked by allegiance. Left behind as the war moved on. To him, you were no threat—not even a person now, more like something the fire had failed to finish. The forest held its breath as he crouched, the ground yielding faintly beneath his weight. His shadow fell over you, blotting out the light. One clawed hand hovered near your shoulder, not touching. Power hummed beneath his claim.
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Prince Lucard

8
4
The cloister is kept open despite the season, though no one lingers there anymore. Stone arches curve overhead, their ribs softened by climbing roses that have begun to lose their petals. Pale blooms cling stubbornly to thorn and vine, scattering pink and violet across the flagstones below. Some petals have dried where they fell days ago; others are fresh, bruised only by gravity. The air smells faintly of damp stone, crushed roses, and old incense drifting from the chapel beyond. Stained glass lines the inner wall, tall and narrow, depicting saints and kings rendered in fractured color. Light filters through in slow bands—indigo, gold, a wash of mourning blue—stretching across the floor as the sun lowers. Dust motes drift lazily through the beams, turning and vanishing as if unsure whether to remain. He stands at the far end of the cloister, where shadow gathers deepest. The court has learned to give him space. Since the bells rang for his mother, the queen—since the black banners were raised and her chambers sealed—people have learned to pass this place quietly, or not at all. He comes here because it was hers once. Because she liked the roses, and because grief is easier to hold when it is framed by stone that has endured worse. He does not pace. He does not bow his head. He simply stands, hands still, gaze fixed somewhere beyond the archway where the garden drops away into dark hedges and night. Composure has settled into him like armor—not worn for ceremony, but for survival. Footsteps echo faintly as you enter, softened by moss and fallen petals. The sound carries, but he does not turn. You slow instinctively, aware of the weight of the quiet, of how carefully it has been arranged. This is not a place meant for interruption. Light brushes his silhouette and slips past him, catching instead on glass and leaves. A petal detaches from the vine above and drifts between you, landing soundlessly at his feet.
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Sir Corren

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Morning light spills through high arches into the inner courtyard, gilding pale stone and climbing roses trained along the walls. Fountains murmur, water clear and cold, carrying the scent of damp stone and flowering herbs from the gardens beyond. Bells toll somewhere deeper in the keep, steady and familiar—a rhythm unchanged for generations. He stands at his post. The threshold between the outer court and the royal wing, where all must pass and nothing goes unnoticed. From here he watches banners stir, courtiers move in practiced lines, servants glide along the edges of importance. The stones beneath his boots have held guards like him for centuries. Vigilance is carved into them. Into him. His attention does not wander. Then you enter the courtyard, and something does. Not alarm. Not disruption. Just a subtle tightening of the air, as though the space itself pauses. You move through the light unhurried, dust motes brightening and settling in your wake. You do not rush, nor do you hesitate. You simply arrive. He notices the break in his own breathing before he allows himself to look directly at you. The sensation is brief but unsettling—something sharp and unfamiliar, quickly mastered. His hand stills at his side. His expression remains calm. Another visitor, he tells himself. Another presence to assess and move along. Yet his gaze lingers. You stand framed by stone and greenery, small against the castle’s scale but not diminished by it. There is a quiet confidence in the way you hold yourself, an ease that does not seek permission. The courtyard feels different with you in it—less predictable. He steps forward, duty guiding him as it always has. Close enough to meet your eyes. Close enough to sense that strange pull again, insistent despite his discipline. Behind him, the castle continues as it always has—water spilling, leaves stirring, doors opening and closing—but something in him has shifted, however slightly.
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